Evanescence - Fallen

(72 pages)

Arrangement: Piano, Voice and Guitar.

Contain:
Going Under
Bring Me to Life
Everybody's Fool
My Immortal
Haunted
Tourniquet
Imaginary
Taking Over Me
Hello
My Last Breath
Whisper

Evanescence - The Open Door

(104 pages)

Arrangement: Piano, Voice and Guitar.

Contain:
Sweet Sacrifice
Call Me When You're Sober
Weight of the World
Lithium
Cloud Nine
Snow White Queen
Lacrymosa
Like You
Lose Control
The Only One
Your Star
All That I'm Living For
Good Enough


Part I




Part II

Evanescence - Anywhere But Home

(x pages)

Arrangement: Piano, Voice and Guitar.

Contain:
Haunted
Going Under
Taking Over Me
Everybody's Fool
Thoughtless
My Last Breath
Farther Away
Breathe No More
My Immortal
Bring Me to Life
Tourniquet
Imaginary
Whisper
Missing

Jon Schmidt

Jon Schmidt (born 1966) is an American pianist located in Salt Lake City. He describes his style as "New Age Classical." He was born to German immigrants who acquainted him with the works of such composers as Beethoven, Mozart, and Chopin. He began songwriting at age 11. To date, he has released seven albums and seven piano books containing transcriptions of original arrangements.

Arrangement: Piano.

Mel Bay - Mark E. Boling - The Jazz Theory Workbook

(125 pages)

Description: This is a primer in jazz theory, intended to prepare the student for the serious study of jazz improvisation, arrangement and composition. The focus is on the harmonic language of jazz, especially the harmonic practices which coalesced in the bebop and post bop periods, when bebop and standard tunes formed the core of the mainstream repertoire. The harmonic language of that period is still the framework on which contemporary jazz musicians build. Included are many musical examples and written assignments for practice in the theoretical skills. Appropriate exercises are provided to reinforce theoretical concepts by immediate application to the instrument.

Contain:
Jazz Music Theory
Jazz Chord Structures
Chord/Scale Relationships
Jazz Chord Progressions
Sources Of Chromaticism in Jazz Improvisation